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The final dance between Belle and the Prince was reused from the final dance sequence between Princess Aurora and Prince Phillip from the 1959 film Sleeping Beauty. According to Trousdale, this was done because production of the film was nearing the deadline, and this was the easiest way to do that sequence. Angela Lansbury as Mrs. Potts – The castle cook, turned into a teapot, who takes a motherly attitude toward Belle. The filmmakers went through several names for Mrs. Potts, such as "Mrs. Chamomile", before Ashman suggested the use of simple and concise names for the household objects.
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Decades later, during the production of Who Framed Roger Rabbit in 1987, the Disney studio resurrected Beauty and the Beast as a project for the satellite animation studio it had set up in London, England to work on Roger Rabbit. Richard Williams, who had directed the animated portions of Roger Rabbit, was approached to direct but declined in favor of continuing work on his long-gestating project The Thief and the Cobbler. In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of Beauty and the Beast set in 19th-century France.
Select PayPal Credit at checkout to have the option to pay over time. Belle comes with her original shoes, stand, and ornament, for the Christmas tree. When autocomplete results are available use up and down arrows to review and enter to select. Santa's Little Helper, includes velvet halter dress with plush trim and matching striped stockings. Send me exclusive offers, unique gift ideas, and personalized tips for shopping and selling on Etsy.
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The success of the ballroom sequence helped convince studio executives to further invest in computer animation. The technology hardware that was used for the CGI was SGI, and the software that was used is Pixar's RenderMan. The background was animated using computer generated imagery which, when the traditionally animated characters are composited against it using Pixar's CAPS system, gives the illusion of a dollying film camera. Kimmy Robertson as the Featherduster – A maid and Lumière's sweetheart, who has been turned into a feather duster. She is never mentioned by name in the 1991 film ; Babette is the name given to this character later in the 1994 stage adaptation of the film; Fifi in the 1998 animated musical film Belle's Magical World and Plumette in the 2017 live-action remake.
As story and song development came to a close, full production began in Burbank while voice and song recording began in New York City. The Beauty songs were mostly recorded live with the orchestra and the voice cast performing simultaneously rather than overdubbed separately, in order to give the songs a cast album-like "energy" the filmmakers and songwriters desired. An IMAX version of the film was released in 2002, and included "Human Again", a new five-minute musical sequence that had been cut from the film prior to its release, but was included in the 1994 musical. That same year, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".
Animation legend Chuck Jones praised the film, in a 1992 guest appearance on Later with Bob Costas he claimed he "Loved it. I think it should have won ... I think the animation on the beast is one of the greatest pieces of animation I've seen". Beauty and the Beast premiered as an unfinished film at the New York Film Festival on September 29, 1991, followed by its theatrical release as a completed film at the El Capitan Theatre on November 13. The film grossed $331 million at the box office worldwide on a $25 million budget and received widespread critical acclaim for its romantic narrative, animation , characters and musical numbers. Beauty and the Beast won the Golden Globe Award for Best Motion Picture – Musical or Comedy, the first animated film to ever win that category. It also became the first animated film to be nominated for the Academy Award for Best Picture at the 64th Academy Awards, where it won the Academy Award for Best Original Score and Best Original Song for its title song and received additional nominations for Best Original Song and Best Sound. In April 1994, Beauty and the Beast became Disney's first animated film to be adapted into a Broadway musical, which ran until 2007.
At the behest of Disney CEO Michael Eisner, Beauty and the Beast became the first Disney animated film to use a screenwriter. This was an unusual move for an animated film, which is traditionally developed on storyboards rather than in a scripted form. Linda Woolverton wrote the original draft of the story before storyboarding began, and worked with the story team to retool and develop the film.
84 minutesCountryUnited StatesLanguageEnglishBudget$25 millionBox office$440.1 millionBeauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont , while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise and produced by Don Hahn, from a screenplay by Linda Woolverton. On April 18, 1994, Beauty and the Beast premiered on Broadway at the Palace Theatre in New York City to mixed reviews. The show transferred to the Lunt-Fontanne Theatre on November 11, 1999.
Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having already done his 1946 version. In June 2008, the American Film Institute revealed its "Ten Top Ten" lists of the best ten films in ten "classic" American film genres, based on polls of over 1,500 people from the creative community. Beauty and the Beast was acknowledged as the seventh-best film in the animation genre. In previous lists, it ranked number 22 on the institute's list of best musicals and number 34 on its list of the best romantic American films. On the list of the greatest songs from American films, Beauty and the Beast ranked number 62.
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